„The performance began with a scream. Or was it a bang, followed by the cry of the wind? In the next half-hour, recorder player Dora Donata Sammer whistled, bleated, cried, crowed, whirred, rattled, purred, hummed, sang, and chirped her way through repertoire from the Baroque to the contemporary, from the Renaissance soprano recorder to the electronical amplified contrabass recorder.” – VAN Magazine